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These movies aren’t afraid to turn up the heat. For this list of the sexiest movies now on Netflix, we’re including erotically-charged thrillers and dramas, films with red-hot chemistry front-and-center, and more. This list features classics and new favorites from around the world, theatrical releases as well as Netflix originals.
Here are the 15 steamiest movies on Netflix right now.
Alfonso Cuarón‘s coming-of-age masterpiece is an erotic drama with a lot more than sex on its mind. Gael García Bernal, Diego Luna and Maribel Verdú star in the picture that’s, on the surface, about two 17-year-old best friends who embark on a road trip with a beautiful older woman. What it’s really about, though, is life and death—and social unrest in Mexico, where it’s set. Y Tu Mamá También sparked controversy for its frank depiction of sexuality, ultimately released without a rating in the U.S. because an NC-17 (the kiss of box-office death) would have been unavoidable. Many critics including Roger Ebert were outraged by the film’s treatment by censors and the MPAA. The picture has been widely acclaimed, and received an Oscar nomination for Best Original Screenplay.
In Spanish with subtitles.
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This intimate—well, very intimate—documentary follows the late career of Italian Rocco Siffredi, one of the most famous male porn stars in history, now retired. Rocco received positive critical notices following its premiere at the Venice Film Festival.
Directed by April Mullen and written by Stephanie Fabrizi, this Canadian erotic drama stars Natalie Krill and Erika Linder as lovers who meet in Toronto. Below Her Mouth received less-than-enthusiastic reviews from critics, though many have noted the You have to admit, that’s one attention-grabbing title.
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Directed by Daniel Goldhaber, this Netflix original is about an adult webcam performer who discovers a sinister presence has taken her place on the internet. Cam has some truly frightening moments, and it examines the subject matter of sex work with appropriate care and thought. Most notably, it showcases a head-turning lead performance by The Handmaid‘s Tale‘s Madeline Brewer, often playing multiple entities on-screen at the same time. Thanks to a perceptive script by real-life former cam girl Isa Mazzei, Cam is often an examination of fractured identity, something that’s definitely not limited to the world of adult entertainment. Cam stumbles a bit at the ending, but it’s full of provocative ideas, and Brewer just floors you.
Robin Wright and Naomi Watts star in this drama about two lifelong friends who become involved with each other’s sons. Xavier Samuel (Love & Friendship) costars. Based on a novel by Doris Lessing, directed by Anne Fontaine.
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Gaspar Noé makes some of the most shocking, even abrasive movies around (see: Irréversible, Enter the Void, and his recent horror drug trip with dance numbers, Climax). For all the controversy Love caused for its graphic sexual content, it should be noted this is the director’s most tender film. Originally released in 3D, Love is a technically innovative, highly intimate exploration of an ill-fated romance, and all kinds of baggage surrounding it.
Starring Nicholas Hoult and Laia Costa, this sexy drama follows two Los Angeles-based millennials who hit it off after meeting via a hookup app. Directed by Drake Doremus and written by Ben York Jones, Newness premiered at the 2017 Sundance Film Festival, to mixed-to-positive critical notices.
Stacie Passon‘s drama stars Robin Weigert as a disillusioned housewife who decides to try her hand at high-end escorting, following a head injury. Concussion is a fresh and unusual drama about a marriage on the rocks. It premiered at Sundance, and won a special Jury Prize at the Berlin International Film Festival.
A remake of French film Nathalie…, this erotic thriller, starring Liam Neeson, Julianne Moore and Amanda Seyfried, centers on an affluent Toronto couple whose seemingly happy married lives spiral out of control following the hiring of a young prostitute with a haunted past. Chloe was directed by Atom Egoyan (Exotica, The Sweet Hereafter).
Roger Ebert gave Chloe a highly positive three-and-a-half-star review, saying
“Chloe centers on a powerfully erotic young woman with personal motives that are hidden. It is not blatant but seductive, depending on the ways that our minds, more than our bodies, can be involved in a sexual relationship. It’s not so much what we’re doing as what I’m thinking about it — and what you’re thinking, which may be more complex than I realize.”
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Written and directed by Derek Cianfrance, this often uncomfortably intimate drama uses a nonlinear narrative to show us a couple’s sweet courtship, followed by a ripper of a breakup. Generous turns by Michelle Williams and Ryan Gosling help Blue Valentine stand out from other films of its ilk. The picture was originally slapped with an NC-17 for a relatively non-graphic sex scene depicting female pleasure (notoriously frowned upon by the MPAA). Upon appeal, the rating was bumped to R with no cuts.
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Under the Skin got a lot of attention for featuring Scarlett Johansson‘s first nude scenes. It also happens to be one of the best movies of this century so far. A masterwork of mad genius and originality, Jonathan Glazer’s loose adaptation of Michael Faber’s science fiction novel gave the Black Widow star and recent double Oscar nominee her best role to date. More screen-commanding than expressive, she’s unforgettable as an alien in the form of a beautiful woman who preys on men in Scotland.
Under the Skin has a grotesquely gorgeous, mega-unnerving texture to it that’s entirely its own thanks to inventive visuals (you’ll quickly notice that some were copied by Stranger Things) and Mica Levi’s ingenious, shrieking score.
Many critics acknowledged the genius of Under the Skin upon release, and the picture’s reputation will only grow over time. It raises impossible, far-reaching questions about humanity. You’ll be shocked at how close it comes to answering them.
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So abundant we might as well make them their own genre, movies about kidnapped females generally go one of two ways: It’s either all about the suspense, figuring out how and if she will get out—or there’s the nastier route, the really low road, when some movies focus on a woman’s torture and humiliation, turning it into spectacle.
Though Australian director Cate Shortland‘s adaptation of Melanie Joosten‘s novel about a tourist imprisoned by a handsome teacher after a passionate one-night-stand is a thriller (quite heart-pounding at times), and much of the woman’s mistreatment is extremely hard to watch, this highly absorbing psychological drama stands out because it’s all about the characters and what’s going on in their heads. It also differs from other films of its ilk in that this nightmare begins with genuine erotic tension and heat, a mutual attraction.
Aussie-born Teresa Palmer of Hacksaw Ridge fame delivers a ripper of a performance as a victim suffering in stages not unlike the stages of grieving. German Max Riemelt (Sense8) keeps up every step of the way as her chilling and multifaceted captor, but this is Palmer’s film, and it gave the dynamite actress long-relegated to playing love-interest side characters a serious calling card in Hollywood.
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This Australian drama stars Alex Dimitriades as a Greek youth exploring his sexuality, and sometimes flirting with danger. Head On received fairly positive reviews upon release, and sparked some controversy due to its sexual content. Writer/director Ana Kokkinos received L.A. Outfest’s Grand Jury Award for Outstanding Foreign Narrative Feature.
Its reputation somewhat marred by controversy and a highly publicized falling-out between star and director, Blue is the Warmest Color is an undeniably moving epic, carried by sensational lead performances by Léa Seydoux and Adèle Exarchopoulos. Blue is the Warmest Color unanimously won the Palme d’Or at the Cannes Film Festival, also winning awards for director Abdellatif Kechiche and the actresses. Sadly, the director’s latest, Mektoub, My Love: Intermezzo, was marred by even grislier behind-the-scenes controversy, and is one of the biggest critical disappointments in Cannes history.
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